Alessandra Viotti-Gilabert

International Artist Listed Drouot
Member of the Taylor Fondation
Member of the Academy Arts Sciences and Letters of Paris
Member of the European Academy of the Arts France


Breaking News

Exhibition at the FIJLKAM museum in Rome in April till October 2024

Permanente Exhibition and Collection in Copelouzos Family Art Museum - Athens Greece

Find me at the Drouot Online, the Gazette of Drouot and HDV-Lausanne sales from October 2023 to June 2024

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Pictorial series

I work in pictorial series, each having a theme. To date I have done eight. These cycles were born from reflections and personal research because I don't want an art reduced to decoration or communication. I want an art that resists to impostures and simulacra. An art that engages viewers.
Technique: Drawing and acrylic paint on 50% Fabriano 300/350gr paper/cotton and on canvas.

Alessandra Viotti-Gilabert
Listed Artist
Référencé dans le Dictionnaire des Artistes Cotés - Drouot
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Cotation certifiée par Christian SORRIANO – DROUOT Paris
Commissaire-priseur Expert en Art – Expert en ventes publiques Expert et Assesseur à la Commission des Douanes Chargé de Mission par le Gouvernement français afin de structurer « Les professions de l’Art et des Antiquités »
 

Awards and Recognition

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January 2024 - International Award of Art et Patrimoine - Luxeil Les Bains -France
International Art et Patrimoine Prize awarded by President J.J Bardenet during the awards ceremony of the Grande Expo Internationale at the MGM Gallery in Montsûrs.
October 2023 - Award of Artistic Merit - Museum FIJKAM - Rome
Award of Artistic Merit - Museum FIJKAM. Exhibition OMNIA VINCIT AMOR" given by the President Domenico Falcone
July 2023 - Silver Medal of the Academy Arts-Sciences-Letters - Paris
Silver Medal of the Academy Arts-Sciences-Letters - Paris (France). It is the second silver medal that Alessandra receive from this Academy.
Award of Excellence in Drawing and water painting at the International Exhibition of La Rochelle in October 2022.
Award of Excellence in Drawing and water painting at the International Exhibition of La Rochelle in October 2022.
October 2022 - Award of Academy Arts Letters Music for all of her artwork -Toulouse (France)
Prize Winner Contest of the International Exhibition of the Arts Letters Music Academy. Awarded for her whole Artwork.
July 2021 - Award of Excellence - La Rochelle (France)
Award of Excellence in Drawing Technique at the International Exhibition of La Rochelle in July 2021.
October 2020 - Award of Excellence - La Rochelle (France)
Award of Excellence in Drawing Technique at the International Exhibition of La Rochelle in October 2020.
January 2020 - Award of the Jury - Barcelona (Spain)
Award of the Jury in Barcelona at the Esart Gallery over the International Exhibition in January 2020.
July 2019 - Award of Excellence - La Rochelle (France)
Award of Excellence in Drawing Technique at the International Exhibition of La Rochelle in July 2019.
February 2019 - Award of the Jury - Paris (France)
Award of the Jury for « Coup de coeur», 3rd at the Prize of the Jury in Paris at the Thuillier Gallery over the International Exhibition in February 2019.
December 2018 - International Award - Tokyo (Japan)
International Award in Tokyo at the « European art in Tokyo » Exhibition in December 2018 at the Gallery Kubota.
July 2021 - Maritime Arts Award - La Rochelle (France)
Maritime Arts Award at the International Exhibition of La Rochelle in July 2018.
June 2018 - Silver Medal of the Academy Arts-Sciences-Letters - Paris (France)
Silver Medal of the Academy Arts-Sciences-Letters of Paris in June 2018.

Upcoming Exhibitions

Here are the upcoming International Exhibitions

Alessandra by Alessandra


I have always drawn and painted. As a child, I painted and drew on old sheets, paper and on the walls of the attic of the family home where I lived with my parents, my brother, my grandmother, my aunt, my uncle and my cousins. Everyone lived in a large, beautiful house in Biella, an elegant town in Piedmont, Italy. My family was in the automotive business and ran a dealership. On the other hand, I decided to devote my life to painting, art and culture. As a child, I discovered the works of Master Pozzi, a painter, engraver and ceramist who also lived in Biella and who regularly exhibited his Artwork there. His old-fashioned workshop, like those of the Renaissance, was frequented by famous artists and intellectuals. Pippo Pozzi was an imposing character. He was very demanding, a bit boorish and hated wasting his time. Becoming a student of this great Master seemed to me to be an unattainable dream.


D etermined as one can be at 18, I rang the doorbell of his famous Atelier. A little surprised, he received me without really understanding what I expected from him. We talked about art, culture, poetry and I asked him to become his student. Surprised and intrigued by my request, he was frank and sincere in giving me an appointment to assess my abilities. A few days later, under his severe and sharp gaze, I drew for a few hours. After careful examination of my first drafts, he agreed to my request. This is how I became Master Pippo Pozzi's student and he became my mentor. Training in Art in such a place alongside him is a privilege for which I will never be grateful enough to him.

I paint my characters with essential features thus accentuating the most intimate aspects. The realism of the subjects of my compositions then mixes with the abstraction of colorful symbols carrying emotion. My works are the result of careful study and in-depth reflection. I do not want to reduce art to decoration or communication which would refuse to listen to sensitive realities. I want an art that resists impostures and simulacra, an art that engages by breaking the limits. In the era of entertainment and social fragmentation, in this rather disembodied world where we lack the authenticity of beings and the power to act, I see pictorial practice as a means of recreating meaning in our relationships with our similar, with nature, with the world. I plead for art, without becoming a societal manifesto, to be capable, by representing reality, of unfreezing souls, freeing minds and hearts from the protocols that imprison them, freeing emotions, questioning the world, decentering the gaze. to make men feel the secret harmony of the universe.


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